"Deitch is a bellwether of an ill wind in the museum world and American culture generally. Recall that when Thomas Hoving led The Metropolitan Museum of Art in the 1970s his introduction of heavily marketed spectacular blockbuster exhibitions transformed museum culture from a fusty bastion of tweedy historians and connoisseurs into a vibrant destination for popular entertainment, with learning on the side. His successor, Philippe de Montebello, restored the balance, returning the values of scholarship and learning to the fore while preserving the feeling of broad accessibility introduced by Hoving. Deitch threatens to take MOCA down a reverse course, hurtling ever further toward dumbing down content, and with a new overlay of art market shenanigans lurking in the background."
Jason Edward Kaufman